320 kbps, LAME-encoded
This stunning reinterpretation of the '3OHA' score comes from experimental composer and vocalist Eartheater. The Russian American artist has taken parts of Alex Epton and Lucinda Chua's compositions and created a deeply personal piece that twists elements of ‘Swan Lake’ and features her father reading her lyrics in Russian.
The film is about a dialogue between the West and the East and an ongoing conversation which the film's director Clayton Vomero describes as 'more of an essay than a film'. Eartheater's rework is astoundingly beautiful and hits the mysterious emotional place in the middle, where the film also exists.
On 8th November, SA Recordings present the soundtrack to Clayton Vomero’s ‘3OHA’ (or ‘Zona’ in English), featuring original music by Alex Epton and Lucinda Chua. The film was shot on location in Russia and Ukraine, revealing the outsider lives of young people in Kiev, Moscow, Vladimir and St. Petersburg.
Part docufilm, part archival history lesson and part impressionistic emotional evocation, ‘3OHA’ explores elements of 20th century soviet culture and history, now diffracted through the cracked lens of western capitalist consumerism.
A classically trained jazz musician with multiple sought-after skills, Alex Epton has either performed or recorded with, produced or remixed Thom Yorke, Björk, David Byrne, Arca, Oneohtrix Point Never, FKA Twigs, Onyx Collective, Wiki, LCD Soundsystem, Kele, Vampire Weekend, Charlotte Gainsbourg, TV On The Radio, Kali Uchis and Kylie Minogue.
Tipped as ‘One To Watch’ by NTS radio, Lucinda Chua is an accomplished singer, cellist and songwriter whose live performances include FKA Twigs’ ‘Magdalene’ world tour and GAIKA’s ‘AKIRA’ remix event. These follow collaborations with Ben Vince, Helm, K Á R Y Y N, Westerman and Nabihah Iqbal.
Recorded in close collaboration with Vomero, the hauntological score complements the film’s montage of recollection, aspiration, assimilation, romance, ennui and resignation, which although factual, has a deeply impressionistic and uncanny feel. Across thirteen tracks Epton explores phosphorescent audio ether and lazer-guided futurism that is rich with pathos and humanity, yet deeply otherworldly – augmented at points by Chua’s plaintive strings, synths and vocals.